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2019
Directed by Joe Talbot
Synopsis
Fight for your land. Fight for your home.
Jimmie Fails dreams of reclaiming the Victorian home his grandfather built in the heart of San Francisco. Joined on his quest by his best friend Mont, Jimmie searches for belonging in a rapidly changing city that seems to have left them behind.
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- Cast
- Crew
- Details
- Genres
- Releases
Cast
Jimmie Fails Jonathan Majors Rob Morgan Tichina Arnold Mike Epps Finn Wittrock Danny Glover Willie Hen Jamal Trulove Antoine Redus Isiain Lalime Jordan Gomes Maximilienne Ewalt Michael O'Brien Daewon Song Mari Kearney Dennis Chavez Dakecia Chappell San Quinn Jello Biafra LaShay Starks Warren Keith David Usner James Dowling Sergio Gonzalez Andy Roy Tonya Glanz Thora Birch Timothy Robert Blevins Show All…
DirectorDirector
Joe Talbot
ProducersProducers
Sydney Lowe Khaliah Neal Joe Talbot Natalie Teter Maya Rudolph Christina Oh Dede Gardner Jeremy Kleiner Rob Richert Luis Alfonso De la Parra
WritersWriters
Joe Talbot Rob Richert
StoryStory
Joe Talbot Jimmie Fails
CastingCasting
Rob Richert Sarah Kliban Nina Henninger Julia Kim
EditorEditor
David Marks
CinematographyCinematography
Adam Newport-Berra
Assistant DirectorsAsst. Directors
Dominic Martin Hilton Jamal Day
Executive ProducersExec. Producers
Kimberly Parker Sarah Esberg Brad Pitt
LightingLighting
Tej Virdi
Camera OperatorsCamera Operators
Boris Price Joe Lindsay
Production DesignProduction Design
Jona Tochet
Art DirectionArt Direction
Ethan Caflisch Olivia Kanz
Set DecorationSet Decoration
Eric Louie Natalia Poltoratzky Dylan Koller Elena Nommensen
Visual EffectsVisual Effects
Darren Fanton Adam Fanton
StuntsStunts
Tony Vella Marlon Ingram Nile Gibbs
ComposerComposer
Emile Mosseri
SoundSound
Luke Dunn Gielmuda Sage Bilderback Dmitri Makarov Kent Sparling Brian R. Taylor David C. Hughes Chris Manning
Costume DesignCostume Design
Amanda Ramirez
MakeupMakeup
Antoinette Yoka Sarah Coy Josie Rodriguez
HairstylingHairstyling
Elizabeth Fox Kekepania Vasquez-Tamali'i Kimberly Carlson Tara Marshell
Studios
Longshot Plan B Entertainment A24
Country
USA
Primary Language
English
Spoken Languages
Haitian, Haitian Creole English
Alternative Titles
Последний черный в Сан-Франциско, Ostatni Czarny w San Francisco, Останній темношкірий у Сан-Франциско, 라스트 블랙 맨 인 샌프란시스코, O Último Homem Negro em San Francisco, El último hombre negro en San Francisco, 旧金山的最后一个黑人, 最後一個舊金山的黑人, Ultimul bărbat negru din San Francisco, האיש השחור האחרון בסן פרנסיסקו, ชายผิวดำคนสุดท้ายในซานฟรานซิสโก, Paskutinis juodaodis San Franciske, ラストブラックマン・イン・サンフランシスコ, Pēdējais tumšādainais vīrietis Sanfrancisko, 何處是吾家, Ο τελευταίος μαύρος στο Σαν Φρανσίσκο, Le dernier homme noir de San Francisco, Poslední černoch v San Franciscu, Az utolsó fekete férfi San Franciscóban, آخر رجل أسود في سان فرانسيسكو, Người da đen cuối cùng ở San Francisco
Genre
Drama
Themes
Moving relationship stories Powerful stories of heartbreak and suffering Tragic sadness and captivating beauty Emotional and touching family dramas Touching and sentimental family stories Heartbreaking and moving family drama Show All…
Releases by Date
- Date
- Country
Premiere
26 Jan 2019
USASundance FilmFestival
Theatrical limited
07 Jun 2019
USAR
12 Aug 2019
Switzerland
Theatrical
25 Oct 2019
Ireland15A
UK15
Digital
11 Nov 2019
Poland16
09 Oct 2020
JapanPG12
01 Oct 2021
France12
Releases by Country
- Date
- Country
France
01 Oct 2021
- Digital12Netflix
Ireland
25 Oct 2019
- Theatrical15A
Japan
09 Oct 2020
- DigitalPG12
Poland
11 Nov 2019
- Digital16
Switzerland
12 Aug 2019
- Theatrical limitedLocarno FilmFestival
UK
25 Oct 2019
- Theatrical15
USA
26 Jan 2019
- PremiereSundance FilmFestival
07 Jun 2019
- Theatrical limitedR
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Popular reviews
More-
Review by demi adejuyigbe ★★★★½ 9
Wow. Honestly not sure what to say about this movie, past calling it beautiful, inside and out. I kinda can't believe it's a debut feature. Another great film in a series of great recent films about the gentrification of the Bay Area and conflicts of race and masculinity that come with the desire to push back against it.
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Review by maria ★★★★ 8
he was a sk8er boy he said fuck society dis huge ass house is mine and my totally platonic best friends', boys
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Review by Karsten ★★★★ 12
Took me a bit to warm up to this and just how differentit is. Truly a breath of fresh air both in it’s story and filmmaking. It’s very dense and there’s a lot that happened so I might have to revisit this the next time I get the chance but man. Great performances, great ending, and the music.....god DAMN.
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Review by Lucy ★★★★½ 2
“you don’t get to hate it unless you love it”
stylistically new but also so familiar, like a long forgotten classic lost in the pages of history. every shot is a breath of fresh air, it almost feels like the first real film i’ve seen all year. i’m stunned
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Review by matt lynch ★★★ 9
I HEARD YOU PAINT OTHER PEOPLES' HOUSES
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Review by Sean Baker 14
Beautiful, funny and very different... has a real signature. Can't wait to see what Joe Talbot does next. Not sure I love the script but I enjoyed the ride. Perhaps I felt the SF love was poured on a bit thick but it is a love letter to the city so it's appropriate.
Beautiful score by Emile Mosseri
and props to casting director Julia Kim (Starlet) for a very dynamic cast.
Watched at Arclight Hollywood
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Review by Josh Lewis ★★★★ 2
People aren’t one thing.
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Review by davidehrlich ★★★★ 4
San Francisco has always been a city with a short memory. The fog rolls over the hills during the late afternoon, wiping the slate clean as it sweeps over the bay. The Earth shakes every so often, dislodging anything that got too comfortable where it was. The Japanese used to be the most visible immigrant population until the U.S. government decided to forcibly relocate them to internment camps that were scattered across the western seaboard. “Vertigo” is set there, because no American city is more attuned to the fear of rotational moment. So is Philip Kaufman’s “Invasion of the Body Snatchers,” a horror movie about a health inspector who slowly discovers that he’s being surrounded by alien duplicates. Today, the…
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Review by Taylor Williams ★★★★★ 3
It seems I have a soft spot for person-location relationships in movies.
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Review by lauren ★★★★½
as i left the theater the usher asked me how it was and i hope my response of good paired with my bloodshot eyes from crying didn’t send the wrong message
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Review by Ayo Edebiri ★★★★½
started sobbing at a shot of a literal chair
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Review by Mtume ★ 39
Nah bruh, this ain’t it.
This cinematic trend to beautify Black struggle and minimize it narratively to some struggle of “self” rather than a real analysis of how Blackness always gets the short end of the stick by design is a horrible trend. This film attempted to use cinematic tricks and visual aesthetics to cover up for the fact it has nothing real to say about what has happened to Black people in gentrification despite its grandiose title. It hides beyond vague personal storytelling of family mis-truths that they top off with some cliche Black masculinity conversation that you could find in a Vox article all the while making a caricature of the urban Black male. But I’m supposed to forgive it cause it has slick visual imagery that attempts to stroke your sentimental heart strings? B.S. I give it a 1 star cause I liked that it had some Zoom shots. Other than that, skip it.
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